She showed the telegram to her father. “Do you mind, Dad, if we go straight back?” she asked. “Perhaps,” she added, “the helpmate theory was intended to apply only to our bodies. There was nothing said about our souls. Perhaps God doesn’t have to work in pairs. Perhaps we were meant to stand alone.”!

“Yes,” answered Joan. “I’m a journalist.” Madge laughed. “Mixing with so many brainy people, perhaps,” she suggested; “and wondering what’s become of their souls.”

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” She ran against Madge in the morning, and invited herself to tea. Her father had returned to Liverpool, and her own rooms, for some reason, depressed her. Flossie was there with young Halliday. They were both off the next morning to his people’s place in Devonshire, from where they were going to get married, and had come to say good-bye. Flossie put Sam in the passage and drew-to the door. One day, after a successful operation, she was tending a young sergeant. He was a well-built, handsome man, with skin as white as a woman’s. He watched her with curious indifference in his eyes as she busied herself, trying to make him comfortable, and did nothing to help her.